Words@brothersgibb.com message digest 01/16/2022 03:01 (#2022-1831)

1 messages included in this issue

1=?us-ascii?Q?This_isn't_the_first_time_that_the_biggest_hit_from_a_film_w?= =?us-ascii?Q?asn't_the_one_that_was_submitted_for_Oscar_consideration?=cmathis@brothersgibb.com

Date: Sat, 15 Jan 2022 23:24:35 -0500 From: <cmathis@brothersgibb.com> Subject: This isn't the first time that the biggest hit from a film wasn't the one that was submitted for Oscar consideration This isn't the first time that the biggest hit from a film wasn't the one that was submitted for Oscar consideration. Here are other times something like this happened. Grease, 1978: Olivia Newton-John's "Hopelessly Devoted to You," which received an Oscar nomination, was a big hit, peaking at No. 3 on the Hot 100, but there were two bigger hits from the soundtrack. Newton-John and John Travolta's "You're the One That I Want" and Frankie Valli's "Grease" both reached No. 1. John Farrar wrote both "Hopelessly" and "You're the One That I Want." Barry Gibb wrote "Grease." This was the second year in a row that Gibb was passed over for an Oscar nod. None of the Bee Gees' songs from Saturday Night Fever were nominated for the 1977 award. Newton-John performed her spotlight ballad on the Oscar telecast in April 1979 - and slayed! ("Hopelessly" lost to the disco classic "Last Dance." Donna Summer's performance of that song on the Oscar telecast was also stellar.) Back to top
End Words@brothersgibb.com message digest 01/16/2022 03:01 (#2022-1831)